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All items from Bustler Competitions

CHROMOTECTURE - Architectural Photography Competition

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Introduction

Homemade Dessert is excited to invite you once more to participate in our architectural photography competitions. This time we would like you to think about COLOR in architecture.

d3 Natural Systems international architectural design competition

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Natural systems offer architects and designers signficant potential as alternative, ecologically performative architectonic strategies.  The d3 Natural Systems competition invites architects, designers, engineers, and students to collectively explore the potential of analyzing, documenting, and deploying nature-based influences in architecture, urbanism, interiors, and designed objects.

PLAYscapes

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TIMBER New England

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Propose a site specific installation innovating within New England building and craft traditions, using engineered lumber or heavy timber, to be realized at BSA SPACE (Atlantic Wharf, Boston, Massachusetts) as part of the major exhibition URBAN TIMBER opening February 2014.

Abstract and develop a partial construction addressing at full scale, specific issues of materiality, structure, connection and cladding. Installations must be experimental in nature and push beyond the boundaries of conventional timber construction. Entrants must choose and respond to one of three SITES documented for intervention.

3 finalists will each receive a $7,500 grant to realize their design. Each finalist / team will work closely with a professional architectural firm, structural engineer, and material supplier to facilitate the development and fabrication of installations.

The competition is open to individuals and teams, with a maximum of three members. Entrants must be current students or graduates of architecture, engineering or design within the last ten years.

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http://www.timbernewengland.com/

2013 Faith & Form/IFRAA International Awards for Religious Art

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The 2013 Faith & Form / IFRAA International Awards Program for Religious Art and Architecture is now accepting project submissions, including those for student work. The awards program recognizes the best in religious art and architecture, unbuilt work, and student work. All submissions must be made online on the Faith & Form website, at this address:

www.faithandformawards.com

Online project submission reduces the costs to submitters, as no binders or shipping charges are necessary. Awards submissions must be made by June 30, 2013. Judging will take place in July, and winners will be contacted shortly after the jury's deliberations.

To participate in the awards program, please visit www.faithandformawards.com, and register for the program. You will be given a user name to login and begin the project submission process. Submission fees can be paid with a credit card or Paypal. All project materials for submission should be in jpeg or PDF format and ready for uploading before you start the process. Additional information is found on the website.

If you have questions, please contact the Faith & Form editor, Michael J. Crosbie, at: mcrosbie@faithandform.com

SKIN: International Digital Fabrication Competition

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SKIN is a two-stage international design competition established to foster the deeper developments within the field of computational fabrication. We are soliciting design proposals that further existing research, by enabling prototyping at a larger scale or full scale, and proposals to jumpstart new research and design concepts into a first prototype. Choice of project location, contextual constraints, programmatic and functional requirements are open and should be freely interpreted to further the proposal’s thesis.

BRIEF
The building envelope and the transition between what is outside and what is inside presents the most complex and fundamentally linguistic element of architecture today. The form and performative capacity of what we might call the activated envelope is foundational and presents a dialogue the building has with itself and that of its context. A building’s skin has the potential to synchronize form and illustrates the totality of the project, while driving how the building responds to its context, its role and ultimately its utility. Fundamental to this is an explicit or implicit adaptability found in its performance – how it functions and meets the needs of the building. In the preceding 100 years since the beginning of the 21st century the transformation from a static, heavy and obfuscating series of load bearing walls, to its current role of a communicative skin, dynamical and exploratory, sets the stage for what we believe is the most important area of research in archi



Dracula