Hands to the Wall: Chile Unveils Tactile Street Art for the Visually Impaired

[ By SA Rogers in Art & Street Art & Graffiti. ]

In Santiago, Chile, six murals offer visually impaired people the chance to experience large-scale works of street art by Chilean artists through touch panels, braille and audio descriptions. Entitled “Manos a la Pared (Hands to the Wall),” the project adds accessibility to some of the murals found in the bustling Barrio Lastarria, one of the city’s most touristy neighborhoods. In Chile, 16.7% of the population is visually impaired or blind, adding up to about 2.8 million people.

¡Esto recién comienza!?? En julio y agosto estaremos realizando cuatro rutas guiadas por el circuito de murales para personas ciegas y de baja visión, Manos a la Pared. ¡Ayúdanos a pasar el dato!? ¿Cuándo? Sábado 21 de julio. Domigo 22 de julio. Sábado 4 de agosto. Domingo 5 de agosto ¿Hora? 10:30 de la mañana. La ruta dura 90 minutos apróx. ¿Lugar de encuentro? Salida norte de metro Universidad Católica. (La ruta termina a pasos del metrro Bellas Artes). ¿Debo inscribirme para participar? ¡Sí! Por favor escríbenos al correo electrónico muchocultura@gmail.com indicando nombre, número de personas que irán y fecha en la que te acomoda participar. Hay cupos reservados para personas ciegas y de baja visión, ¡pero todos somos bienvenidos! Te recomendamos descargar tu app Lazarillo? en tu teléfono móvil para vivir de forma completa la experiencia de Manos a la Pared: Bellas Artes Lastarria. Más info en el link de nuestra bio? Foto??: Stephanie Morchio.

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“The initiative was born from the union of three restless women who met in the Diploma of Cultural Management of the Pontificia Universidad Católica de Chile,” says Paula Cancino, president of the Association for Inclusive Culture Mu.Cho. “This project was conceived under the premise of breaking with the barriers that impede access to arts and cultures.”

The new circuit was unveiled on July 10th, 2018 and includes “La Debutante” by famed Chilean surrealist Roberto Matta in the Plaza Mulato Gil de Castro, “The Player of Palín” by Francisco Maturana on Mosqueto Street, “Ganza” by Javier Barria in Santo Domingo, “A Surrealist Named Matta” by Alexander Tadlock in Mosqueto, “Ludwig van Beethoven” by Jorge Campos in Mosqueto and “Lastarria Patrimonial” by Luis Núñez on the Rosas corner of Lastarria.

The works were chosen according to the symoblic importance of their content and the accessibility of the space. After leading a test subject through a proposed circuit in the planning phases, they realized there were a lot of tables, restaurant awnings, poles, bicycle parking and other obstacles in the way, so they had to adjust the route carefully.

That initial tester, Monica Sepulveda, says the experience of using the touch panels is “not total, to be honest, but when you add other elements such as audio description, that helps even more to understand what’s there in front.”

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[ By SA Rogers in Art & Street Art & Graffiti. ]

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