All items from Web Urbanist

Boats + Yards: Dutch Architects Convert Cargo Ships into Waterfront Homes

[ By WebUrbanist in Architecture & Houses & Residential. ]

Lifting cargo ships out of boat yards in the water up onto adjacent land, a Dutch design firm is creating a series of creatively recycled estates using maritime vessels that are no longer seaworthy.

The Dutch firm, Studio Komma, has dubbed their project the Marine-doc Estate. Their process involves matching different ships to ideal lots and landscapes while also maximizing connections between land and water.

Life-Sized Interactive Drawings by Levalet Envision a Parallel Universe

[ By SA Rogers in Art & Street Art & Graffiti. ]

Life-sized street art interventions play out scenes from a parallel universe on public surfaces all around us in the interactive works of French artist Levalet. Raised in Guadeloupe, France, the artist (also known as art teacher Charles Leval) saw the graffiti that surrounded him as part of the city’s identity, prompting him to look at the streets in a whole new way. What if everyday objects and scenes had an entirely different purpose than the ones we see for them?


Four-Dimensional Murals: Artist Folds Space Inside Architectural Facades

[ By WebUrbanist in Art & Street Art & Graffiti. ]

Folding and flexible geometric forms seem to weave in and out of the structures graced with murals by David Louf (known as Mr. June), seeming to imply what a blank facade could have been in the past or become in some imagined future.

Louf toys with a combination of reality and abstraction. Depending on the piece, he sometimes hints at hidden doors, windows and interior spaces. In other cases, his work appears to deconstruct spacetime itself through layered voids.

His murals have been painted everywhere from Miami and Denver to Aruba, China and Berlin, Germany, each a collaboration with his graphic design studio and an exploration of architectural speculation, like science fiction in art form.

Designed for Disassembly: Architecture Built with its Own End in Mind

[ By SA Rogers in Architecture & Cities & Urbanism. ]

Few of us make plans for our lives with our own deaths in mind, so perhaps it’s not surprising that architects don’t usually spend much of the design process thinking about the virtually inevitable demolition of their creations. It might seem as morbid and premature as college graduates making plans for their own funerals, but considering the entire life cycle of a structure before it’s even built could have a massive impact on the amount of waste we generate – and help us adapt to the uncertain conditions of the future.

Though some buildings and infrastructure may stand for many hundreds of years, the vast majority of it is rendered obsolete in a matter of decades. Practical needs and aesthetic preferences change, and materials wear down. Currently, about 80% of all materials and minerals in circulation in the U.S. economy are consumed by the construction industry, and about 70% of construction waste is concrete.

Acoustic Defense: Photo Series Reflects on Derelict British “Sound Mirrors”

[ By WebUrbanist in Abandoned Places & Architecture. ]

In the wake of World War I, the United Kingdom developed a powerful yet relatively low-tech architectural system for detecting incoming enemy airplanes, the remnants of which can still be found across the countryside.

Starting in the 1920s, these concrete sound mirrors would passively gather, reflect and concentrate acoustic waves, directing the sound to a listening post on the ground as part of an early warning alert system.

Incoming sounds were amplified by microphones and listened to by operators wearing headphones. Today, most are abandoned and in disrepair, though some are protected with walls and fences and/or accompanied by historical plaques.

Bought to be Destroyed: Artist Ron English Will Whitewash His New Banksy

[ By SA Rogers in Art & Street Art & Graffiti. ]

Street artist Ron English paid over $730K for a work of art by Banksy – and he plans to paint over it. It might sound like some kind of silly high-profile artist feud, but English harbors no animosity toward the infamously anonymous creator of ‘Slave Labour,’ the mural he just bought at auction. He just doesn’t want anyone else to have it.

The mural, which depicts a small child on his knees with a sewing machine producing a string of Union Jack bunting, was originally painted onto the side of a London store in protest of sweatshop souvenirs before the 2012 Olympics. The mural disappeared in 2013, to the anger of local residents, and later resurfaced to be sold at auction for $1.1 million. It’s all part of an ongoing scheme in which building owners have Banksy works chiseled off their property and sold at auction without the artist’s consent.